Could 'Trainspotting' Even Get Made Today? Film Execs Face the Real Question
Christine Vachon and the UK film heads ask the hard truth: would the classics survive modern money gatekeeping?

Christine Vachon and a room full of heavyweight producers asked themselves something real the other day—what if some of cinema's boldest moves had to pitch themselves to today's studio gatekeepers? Take Trainspotting. Raw, uncompromising, built on Danny Boyle's hunger and Scottish grit. Would it even get greenlit in 2026?
The same question landed on Lynne Ramsay's head. She made shorts that caught eyes, then jumped straight to a feature. These days, that path feels riskier. The machinery wants proof. It wants comps. It wants safe bets.
Even The Wicker Man—once seen as a weird problem nobody wanted—looks like it could be a genre play worth chasing now. The irony stings: what was rejected as too strange might now be exactly what streamers and platforms think they can market.
This wasn't just nostalgia talking. It was a real reckoning about how film financing has tightened, how risk tolerance shrank, and whether the industry still has room for the visionary swings that built its reputation. The answers weren't encouraging—but at least people are asking.
Read the full story at Variety → https://variety.com/2026/film/festivals/how-would-you-get-this-movie-made-vachon-film4-bbc-1236835455/
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