Music Biz

Live Nation's Global Problem: The World Wants Non-English Artists, But Where They Gonna Perform?

Nearly a third of Live Nation's biggest tours are non-English acts — yet most of the world still can't host them properly.

Live Nation's brass is watching something shift in real time. Non-English-speaking artists now make up 30% of the company's top 50 tours, and executives are betting that number only goes up. The culture is moving that way — globally, the demand is there.

But here's the catch: the infrastructure isn't. Out of the top 75 international markets, 47 of them don't have modern arenas equipped to handle major touring productions. That's a massive gap between where the money and audience are heading, and where artists can actually perform.

This is a real infrastructure problem, not just a vibe shift. You can have the hottest reggaeton, Afrobeats, or K-pop act on the planet, but if the venues in those regions are stuck in 2005, the whole machine stalls. Live Nation knows this — they're literally tracking it. The company's looking at a future where non-English artists aren't the exception, they're the norm. But the places where those artists live and tour need to catch up fast.

The global music business is diversifying. The venues need to follow.


Read the full story at Music Business Worldwide → https://www.musicbusinessworldwide.com/non-english-speaking-artists-account-for-30-of-live-nations-top-50-tours-up-from-8-pre-covid-and-47-of-the-top-75-international-markets-lack-the-arenas-to-host-them/

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